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Who is who

Jan Vaněk was arguably the most obvious of all the prototypes of characters in The Good Soldier Švejk.

The Who's who page on Jaroslav Hašek presents a gallery of people from real life who, to varying degrees, are associated with The Good Soldier Švejk and its creator. Several of the characters in the novel are known to be based on real-life individuals, mostly officers from Infanterieregiment Nr. 91. Some of Hašek's literary figures carry the full names of their models, some are only thinly disguised, and some names diverge from that of their "model", but they can be identified by analysing the circumstances in which they appear.

A handful of "prototypes" are easily recognisable, like Rudolf Lukas and Jan Vaněk; others, like Zdeněk Matěj Kuděj and Emanuél Michálek, are less obvious inspirations. One would also assume that most of these characters borrow traits from more than one person; one such example is Švejk himself.

A far larger number of assumed prototypes are connected to their literary counterparts by little more than the name. Josef Švejk is the prime example here, but Jan Eybl also fits in this category. The list of prototypes only contains those who inspired characters that directly take part in the plot.

Researchers, the so-called Haškologists, are also included on this page, but as of 15 February 2026 the list is restricted to Radko Pytlík and Václav Menger, plus two important but relatively unknown contributors to our knowledge about Hašek and Švejk. In due course, entries on other experts like Zdena Ančík may be added.


Menger, Václav
*7.8.1888 Praha - †16.2.1947 Praha
SearchŠvejkův slovník
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Obituary

Rudé právo,22.2.1947

Václav Menger was an actor and writer who is arguably best known for his books about Jaroslav Hašek. He could also be considered the first serious "haškolog", because his books about Hašek differed from earlier memoir literature in that they also contained results from his archival research. He was one of the few researchers who knew Hašek personally (the others were Břetislav Hůla and, to some extent, Jan Morávek). His efforts resulted in an extensive 25-part series published in Lidové noviny in 1933–34, soon followed by a two-volume biography.

Early years

Menger was born in 1888 in Prague II, the second youngest of nine siblings, the son of Jan and Josefa, née Heřmannová[e]. During his childhood and youth, the family lived in Lipová ulice; in effect, he grew up in the same neighbourhood as Jaroslav Hašek. The two knew each other from childhood, so Menger is by far the best source that exists for information about Hašek's younger years. Menger noted that his parents lived in the same house as Jaroslav, and that he took part in some of the mischief that young Jaroslav got up to (Lidové noviny, 23 April 1933). After Hašek was expelled from the Gymnasium in Žitná ulice (1897), the two lost touch for many years. The only other pre-war meetings that Menger recorded happened at Montmartre in 1913.

Little is known about Menger's childhood and younger years, apart from the fact that he became an actor, performed at Adria on Václavské náměstí, and when this theatre went bankrupt, he toured the provinces with various theatre groups (Lidové noviny, 27 April 1933).

The First World War

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Jan Šípek, Jaroslav Hašek, Václav Menger. Berezne, Ukraine, 29 September 1917 (12 October).

In 1909, Menger would have entered military service according to his age group, but the details are not known, nor has his pre-war service record been studied. After the outbreak of war, he served with k.k. Landwehrinfanterieregiment Nr. 28 as a Gefreiter, was taken prisoner on 7 August 1915 in Lubartów by Lublin (Russian Poland), and joined Československá brigáda on 15 August 1916, thus six weeks later than Hašek[f].

Here he soon became involved in the cultural activities of the Czech volunteers (later known as Legions), organising theatre groups, etc. Menger met Hašek again at Kiev University (the seat of the Czech replacement battalion) in 1916 and, over the next two years, the two were at times in touch. One piece of visual evidence is a photo from 29 September 1917 in which both appear alongside Jan Šípek (1886-1953), a future Czechoslovak general and associate of Prseident Masaryk.

Unlike Hašek, Menger continued to serve in the Legions until he was demobilised in 1920.

Actor, translator and writer

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From The Legionnaire's Songbook.

Václav Menger,1929

In the inter-war years, Menger made a living from acting, for instance at Revoluční scéna, the theatre at Václavské náměstí where The Good Soldier Švejk was first performed on 1 November 1921. In addition, he played minor roles in films, was himself a film and stage director, and also a translator of Russian and German literature. Occasionally, he wrote articles for Lidové noviny, Národní osvobození and others. In 1929 he published the The Legionnaire's Songbook[l], a collection of songs and hymns, not always connected to the Legions.

Menger is, however, best known as the author of two books about Hašek, published in 1934 and 1935 (more on that later).

Later years

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Menger's funeral

Národní osvobození,23.2.1947

After the Second World War he published revised editions of his two inter-war books about Jaroslav Hašek [c][d]. Before he died, he handed over his material to Břetislav Hůla, who in a sense carried on Menger's research but in a much more methodical manner.

Following Menger's death on 16 February 1947, several newspapers printed reports of his death. In one of the obituaries, it is even revealed that he was a Communist Party member. Menger's body was cremated at Strašnice cemetery on 23 February and one of the people who spoke at the ceremony was his good friend Egon Erwin Kisch, the famous "raging reporter". Former members of the Legions also gave speeches, as did local representatives of the Communist Party[k].

Writing about Hašek

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Václav Menger,1934

Although Zdeněk Matěj Kuděj, Franta Sauer, Emil Artur Longen and Ladislav Hájek's memoirs about Hašek pre-dated Menger's, his was the first to cover the entire lifespan of the author of The Good Soldier Švejk, and Menger could thus be classed as his first proper biographer. Menger's books were based on the aforementioned series in Lidové noviny but were "embellished" with additional dialogues, lending them the air of fiction. Indeed, the first volume is explicitly labelled as a novel.

The books were titled Jaroslav Hašek, Prisoner Number 294217[a] (1934) and Jaroslav Hašek at Home[b] (1935). In 1946, the latter was republished as A Human Profile of Jaroslav Hašek[c], now in a somewhat abridged version. In 1948, the first book was also republished, titled Jaroslav Hašek in Captivity[d].

Menger put great effort into collecting information about Hašek, something that his extensive file at LA-PNP bears witness to. This, together with the fact that he knew Hašek personally, makes him stand out in the sense that he combined personal knowledge of Hašek with research. His books were even published as a series in a Chicago newspaper in 1936[h].

Menger also contributed to raising awareness of Strana mírného pokroku v mezích zákona. From Alois Hatina he borrowed Hašek's manuscript and allowed parts of it to be published in Rudé právo, but without Hatina's permission[g]. He used the manuscript extensively when writing his books, particularly with regards to Hašek's "apostolical journey" in 1905 to Moravia, Austria, western Hungary and Styria.

Research
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From Menger's file at the Museum of Czech Literature. Grete Reiner asking for permission to translate Menger's article series from Lidové noviny about Hašek.

Menger collected a large amount of material about Hašek, and 5 cartons with his material are in the custody of LA-PNP. It contains letters, photos, notes, clippings, etc. The material includes correspondence with Egon Erwin Kisch, Grete Reiner, Franta Sauer, Jiří Červený, Michal Kacha, Václav Kapický, František Wildmann, Emil Špatný, Jarmila Hašková (Hašek's wife), and also the young Richard Hašek (Hašek's son).

A large part of the collection is made up of newspaper clips and also material about Strana mírného pokroku v mezích zákona. However, it seems that little of the material that Menger collected found its way into his books.

Scepticism

Although the two books about Hašek were well received at the time, scholars have later pointed out serious flaws in Menger's narrative. Cecil Parrott noted in his biography of Hašek that Menger was a valuable but unreliable source[g]. While Menger's Jaroslav Hašek at Home[b] includes unique information about Hašek's childhood and youth, it is vague regarding chronology and contains several errors. Jaroslav Hašek, Prisoner Number 294217[a] is even less trustworthy. Written as a novel, it should indeed be treated as such. A much better source for information is the series in Lidové noviny. It contained fewer dialogues and some of the wildest stories were left out, such as a supposed meeting with Mussolini (see paragraph below).

The following paragraphs discuss two of Menger's most propagated claims, "facts" that linger in the public consciousness even into the twenty-first century.

Animals
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Muskrats in the Vltava. This April Fool's story appeared in at least two biographies of Hašek (Menger, Parrott), though in a slightly altered form. It was published in Svět zvířat on 1 April 1914 and is therefore unlikely to be the work of Hašek.

© Jindřich Toman

Some of the most widespread of Menger's claims concern Hašek's time as editor of Svět zvířat. Hašek allegedly published an article called Rational Breeding of Werewolves and offered his creations for sale. Menger also stated that Hašek had published an April Fools' joke with a photomontage showing the Vltava below Vyšehrad flooded with muskrats (ondatra) and that people had flocked to the river to watch the exotic animals. In addition, Hašek allegedly transformed the serious magazine Svět zvířat into an entertainment periodical, and that this happened within a few issues[b].

None of these claims stand up to further scrutiny. Still, some of them found their way into biographies about Hašek, for instance by Cecil Parrott and Jan Berwid-Buquoy .

The April Fool's joke is, however, not pulled from thin air. On 1 April 1914, Svět zvířat indeed printed a picture of the Vltava flooded with muskrats, but at the time Hašek did not contribute to the magazine. Nor is it likely that many flocked to the river to watch the animals!

Otherwise, such manipulated photos were quite common as jokes, irrespective of who edited a magazine[j].

For the record, the photomontage shows the muskrats by Národní divadlo, not by Vyšehrad as Menger claimed.

Mussolini
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Menger suggests that this book, published in 1913, was inspired by Hašek. Allegedly they met in Trento in 1906. The source of this claim is Hašek himself.

Another myth that Menger propagated was a story about Mussolini and Hašek meeting in Trento in 1906 when Hašek allegedly did his military service there[b]. It is, however, notable that Menger removed this passage when the original book from 1935 was republished after World War II [c]. Whether this removal was because Menger did not want to soil Hašek's name with the by now untouchable dictator, or that he had discovered there was no substance to the story, remains unknown.

Hašek did not do any military service until 1915 and, in any case, Mussolini did not visit Trento in 1906. Significantly, Menger adds that this was a story that Hašek set in motion himself! Still, this has not stopped the "Mussolini legend" from resurfacing, for example in the film Toulavé house (Vít Olmer, 2013).

Jaroslav Hašek, ač již v obou předcházejících letech unikl onomu osudnému slovu "tauglich", při posledním odvodu v roce 1906 mu neunikl. Byl odveden a přidělen do důstojnické školy 28. pěšího pluku "Pražských dětí", který tou dobou byl rozložen v Tyrolích, v Tridentu a Levicu. Nezůstal tam však dlouho. Zde vlastně sebral své první zkušenosti pro "Dobrého vojáka Švejka před válkou", kterého však začal psát až v roce 1910. Když se vrátil z tohoto svého prvního vojenského tažení, vyprávěl - tak jako všichni ti, kteří na vojně strávili třeba jen jediný den - obsáhlé legendy. A ještě dlouhá léta dovedl vyprávěti o těch několika nedělích, které strávil v Tridentu, kdy byl po svém příchodu k pluku při dodatečné prohlídce uznán neschopným a jako takový poslán k superarbitrační komisi. Ta tento nález potvrdila a Hašek měl po své vojenské slávě.

V té době byl v Tridentu dávný přítel Haškův, básník Mach a současně s ním byli v Tridentu narukovaní syn Aloise Jiráska a nynější poslanec Hatina. Než byly vyřízeny obvyklé formality a než prošlo plukovním rozkazem Haškovo propuštění, uplynulo několik neděl, které trávil s jmenovanými druhy. Scházeli se, jak sám vypravoval, v jakési vinárně, kde je Mach seznámil s bývalým poslancem na říšském sněmu Caesarem Batisti, jenž byl za světové války rakouskou vládou odsouzen к smrti a popraven. Kolem Batistiho shromažďovala se také společnost italských emigrantů, z nichž jeden, jakýsi redaktor sociálně demokratických listů, se brzy spřátelil s Jaroslavem. Velmi ho zajímaly české dějiny a zejména doba husitská. Dokonce se odhodlal napsat o tom knížku a Hašek mu ochotně poskytl prameny i materiál. Zejména jej upozornil na knihu Friedricha von Bezolda: „Das Hussitentum”, která vyšla v Mnichově. Tato italsky psaná kniha o husitismu, inspirovaná Haškem, skutečně vyšla a jejím autorem není nikdo jiný než dnes „velký duce” — Mussolini, kterému se ovšem tenkráte, tak jako Haškovi, ještě ani nesnilo o velké slávě, neboť byl pouhým štvaným emigrantem. Václav Menger, 1935. “Jaroslav Hašek doma” S: 133

Accumulating legends

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Česká literatura,1.1958

In 1958, the literary historian Miloslav Nosek (1925-1962) remarked that Menger in his biographies put on paper whatever he had heard about Hašek and even guessed when he lacked information[m]. Detracting even more from Menger's trustworthiness is the suspicion that the notorious hoaxer Hašek himself was the originator of many of these stories. Here the Mussolini story is a good example, but in this case Menger at least informs readers about the provenance of the myth!

Menger's two books about Hašek are valuable sources of information, but they should be treated with caution. To conclude, Cecil Parrott summarises Menger's contribution to haškology adequately:

A valuable, if often unreliable, source is the actor and author Václav Menger, who claimed to have known Hašek from his childhood and was later with him in the Czech Legion. He was for a time the custodian of most of Hašek's and Jarmila's papers and published two biographical books about him, Jaroslav Hašek, Prisoner No. 294217[a] (1934) and Jaroslav Hašek at Home[b] (1935), which was issued in a revised version in 1946 under the title The Human Profile of Jaroslav Hašek[c] (1935). Both books were based on a series of articles he had published in the People's Newspaper in 1933. Menger planned to write a third book — Jaroslav Hašek, the Commissar, but failed to do so. His two books are indispensable sources of information for the earlier part of Hašek's life. Cecil Parrott, 1978. “The Bad Bohemian", P: 16

Credit: LA-PNP, Jaroslav Šerák, Cecil Parrott, Jindřich Toman

Literature
References
aJaroslav Hašek, zajatec číslo 294217Václav Menger1934
bJaroslav Hašek domaVáclav Menger1935
cLidský profil Jaroslava HaškaVáclav Menger1946
dJaroslav Hašek v zajetíVáclav Menger1948
ePobytové přihlášky pražského policejního ředitelstvíNAČR1851 - 1914
fMenger VáclavČeskoslovenská obec legionářská
gThe Bad BohemianCecil Parrott1978
hJaroslav Hašek domaDuch časúVáclav Menger5.4.1936
iSpisy Jaroslava HaškaPráceVáclav Kaplický13.3.1947
jPhotomontage as Visual Mystification: Jaroslav Hašek and The World of AnimalsJindřich Toman22.4.2023
kPohřeb bratra Václava MengraNárodní osvobození23.2.1947
lLegionářský zpěvníkVáclav Menger1929
mLiterárněhistorické příspěvky v regionalistických publikacíchČeská literaturaMiloslav Nosek1.1958